Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt
LolaVie arrives this morning with a Glossing Detangler that swaps water, a filler ingredient that typically makes up 80 percent of hair-care products, with nourishing, sustainable bamboo essence. Lemon extract imparts “extraordinary shine,” per Aniston, and vegetable ceramides replace conditioning chemicals such as silicones, which can offer immediate gratification but often cause damage over time. A detangler isn’t necessarily the Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt Furthermore, I will do this first product you’d expect from a new hair-care brand, but one of LolaVie’s core principles is to launch products based on need—a hole in the market, or something that can be improved upon—rather than conform to predetermined retail schedules. And Aniston happens to need a good detangler. “I use detanglers all the time when I get out of the shower because of the condition of my hair; it’s hard to get through,” she reveals, adding that she wanted her detangler to be like “the Swiss Army knife of products: It’s a heat protector, it brings nutrients and health back to the hair follicle, it creates shine”—and it happens to be a great sign of what’s to come.
Buy this shirt: Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt
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Official Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt
Just as sunset began to spread over the Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt Furthermore, I will do this Brooklyn Grange’s rooftop farm, Collina Strada’s spring 2022 show—and its colorful cast of characters—came out swinging to usher in the return of in-person NYFW. As performer Dorian Electra’s cover of Pharrell’s “Happy” blasted on the sound system, models spun, skipped, and twirled down the runway, topping off their “farm queen” and “frog princess” ensembles (as designer Hillary Taymour called them) with individual beauty looks punctuated by whirls of ombré color and subversive shapes. “We wanted to make everyone look like they were playing and gardening in a fairy garden,” explained makeup artist Allie Smith, her own gaze framed in a haze of abstract paint and glitter backstage. “It’s about really bright, beautiful colors and all different kinds of textures.” On the more extreme side of the things, there were shimmery strokes of MAC Chromaline in a mix of saturated shades, like Primary Yellow and Genuine Orange, on the ears, hands, and feet. An array of fantastical flower manicures were drawn on by nail artist Juan Alvear.
Buy this shirt: https://meredpremium.com/product/kiss-me-im-from-philly-kiss-me-st-patricks-day-shirt/
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Top Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt
LolaVie arrives this morning with a Glossing Detangler that swaps water, a filler ingredient that typically makes up 80 percent of hair-care products, with nourishing, sustainable bamboo essence. Lemon extract imparts “extraordinary shine,” per Aniston, and vegetable ceramides replace conditioning chemicals such as silicones, which can offer immediate gratification but often cause damage over time. A detangler isn’t necessarily the Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt Furthermore, I will do this first product you’d expect from a new hair-care brand, but one of LolaVie’s core principles is to launch products based on need—a hole in the market, or something that can be improved upon—rather than conform to predetermined retail schedules. And Aniston happens to need a good detangler. “I use detanglers all the time when I get out of the shower because of the condition of my hair; it’s hard to get through,” she reveals, adding that she wanted her detangler to be like “the Swiss Army knife of products: It’s a heat protector, it brings nutrients and health back to the hair follicle, it creates shine”—and it happens to be a great sign of what’s to come.
Just as sunset began to spread over the Kiss Me, I’m From Philly Kiss Me St Patrick’s Day Shirt Furthermore, I will do this Brooklyn Grange’s rooftop farm, Collina Strada’s spring 2022 show—and its colorful cast of characters—came out swinging to usher in the return of in-person NYFW. As performer Dorian Electra’s cover of Pharrell’s “Happy” blasted on the sound system, models spun, skipped, and twirled down the runway, topping off their “farm queen” and “frog princess” ensembles (as designer Hillary Taymour called them) with individual beauty looks punctuated by whirls of ombré color and subversive shapes. “We wanted to make everyone look like they were playing and gardening in a fairy garden,” explained makeup artist Allie Smith, her own gaze framed in a haze of abstract paint and glitter backstage. “It’s about really bright, beautiful colors and all different kinds of textures.” On the more extreme side of the things, there were shimmery strokes of MAC Chromaline in a mix of saturated shades, like Primary Yellow and Genuine Orange, on the ears, hands, and feet. An array of fantastical flower manicures were drawn on by nail artist Juan Alvear.
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